Many of you will remember the stabilization project that Jeff... had a year or so ago with his "spalted, curly, wormy sycamore". I loved that wood and have not seen anything like it since. Anyway, with Jeff...'s generousity, he sent me a few blanks through the NCWW Pony Express as a bit of a surprise. I have made a few pens with the blanks and the one I typically carry is made from that tree.
One of the pieces was quite interesting in that it had a bunch of voids in it. I have been holding on to this blank since then. I knew it had potential and I was waiting until I got inspiration. The time has officially come for this blank. I am not a big fan of many of the turnings where voids were filled with material that are a shocking contrast to the wood. I do think, however, that there is an opportunity to fill the voids with an unusual substance while being a bit more subtle. I hope that I have
achieved that with this pen.
To fill the voids, I took a piece of amethyst, put it in a cloth bag and broke it into pieces with a 3 pound hammer. I colored the tube to prevent the brass from reflecting in the purple gem. I used CA glue to hold the amethyst in the voids and turned it on the lathe. I used a rhodium Jr. Statesman to hold the blank.
I was shocked at how hard the amethyst proved to be as it took me FOREVER to turn. I think I took a couple inches off of all of my tools from constantly resharpening. I also went through a bunch of sand paper In the end, I sanded the blank through 12000MM to polish the gems as much as possible before applying a CA finish. The finish was further protected with Renaissance Wax.
I entered this pen into the week 3 Penmaker's Challenge contest on the IAP and won 1st place :eusa_danc:eusa_danc I'm pretty psyched. :icon_thum:icon_thum
Thanks for looking...
Chris
One of the pieces was quite interesting in that it had a bunch of voids in it. I have been holding on to this blank since then. I knew it had potential and I was waiting until I got inspiration. The time has officially come for this blank. I am not a big fan of many of the turnings where voids were filled with material that are a shocking contrast to the wood. I do think, however, that there is an opportunity to fill the voids with an unusual substance while being a bit more subtle. I hope that I have
achieved that with this pen.
To fill the voids, I took a piece of amethyst, put it in a cloth bag and broke it into pieces with a 3 pound hammer. I colored the tube to prevent the brass from reflecting in the purple gem. I used CA glue to hold the amethyst in the voids and turned it on the lathe. I used a rhodium Jr. Statesman to hold the blank.
I was shocked at how hard the amethyst proved to be as it took me FOREVER to turn. I think I took a couple inches off of all of my tools from constantly resharpening. I also went through a bunch of sand paper In the end, I sanded the blank through 12000MM to polish the gems as much as possible before applying a CA finish. The finish was further protected with Renaissance Wax.
I entered this pen into the week 3 Penmaker's Challenge contest on the IAP and won 1st place :eusa_danc:eusa_danc I'm pretty psyched. :icon_thum:icon_thum
Thanks for looking...
Chris