Re: Thomas Day Exhibit (longish)
Oops, perhaps I should be more specific.
Thomas Day was Free Black cabinet maker here in Caswell Co. working between 1823- 1861. During that time he maintained the largest cabinet shop in the state. He made a lot of high end furniture and house interiors for many of the rich and prosperous folks in the state, such as governor Reid.
In a time when the furniture industry was dominated by either standardized or cheaper furniture shipped from furniture factories in the North Day created a market based on his signature style. His work is noted for his usage of negative space, unique usages of common patterns and also his own designs. His interiors are known for his mantles, stair brackets, and his ability to tie the entire design of the mill work and interior of a house together as a whole. He really knew how his patrons thought about interacting with society and created interiors that reflected that.
We have always known that there have always been Black furniture makers and other black crafts people enslaved and free from the early history of our country. However their work is not very well document, for a variety of reasons. We are lucky in this case however, in that we have a great amount of documentation on Day and his family. A lot of this is the result of the decedents of his patron preserving and holding onto his furniture. As it now stands Thomas Day is the most research black craftsman from the antebellum time period. I suspect that he might be one of the best researched black craftsman prior to 1900. I can't prove that one though.
It is really cool to look at how gray his world was. You can't just put him in a box He was Black, but free. He was Black, but owned slaves. He owned slaves, but there is proof (more than is displayed in the exhibit) that he was an abolitionist. He was rather structured, reserved, intentional, and cautious in his life and demeanor. Yet he made things so wacko they look like they were made in the drug induced world of the 1960's. He was working in the rural back woods, but he was making high end high designed work in a furniture factory setting. (he had a steam engine by 1850-3)
Anyway the History museum in Raleigh has the largest collection of his work in the country. They opened up a 6K sq ft exhibit of his work Last Saturday. I believe that it has around 70 pieces of his work in the exhibit. There is a recreation of an early 1800's workshop and a 1850's parlor. They have also included various other decorative arts items. There are some cool quilts and a french figurine/clock set on display.
I was a consultant on some aspects of the exhibit. My first consulting experience. I learned that means that I was the hired suggestor. I worked with the designer on the shop (cool 20' x 24' timber frame), and I worked with the designer on some aspects of his furniture , life, and woodworking experience. Also got the experience of being on the advisory board. The politics was a bit intense. Don't know if I will do this again.
After all that I have a hard time not nit picking the living day lights out of it or not knowing what we missed. So I was wondering what other woodworkers honestly thought of it.
There is a cool great wheel lathe in the work shop. I helped on it. The treadle band saw I didn't help on. Everything in the exhibit except the parlor mill work and building the timber frame structure was done in house, in 13 weeks. The museum has an amazing design/construction team.
Jerome