Which reminds me. Are the nightstands completely finished? :icon_scra
How could you say that???:rolf:
You obviously haven't seen the Feb calendar page????
Here's the proof.
Which reminds me. Are the nightstands completely finished? :icon_scra
While this is my first exposure to your work -- I'm still relatively wet-eared in these parts -- it is very impressive. One thing I wish I was better at is conceptualizing using only my mind; it looks like we all could learn a thing or two from you. Myself, I draw up a rough sketch and work from there, doing lots of improvising. I'm guessing you're using some sort of architect's program? Never occured to me woodworkers would use them.
Would you mind parting with any secrets you've accumulated in the creative process? That's one skill, for me, thats difficult to develop. I can figure out tough joints pretty easily, but learning design is another beast entirely.
Thanks!
Morgan
David -- thank you VERY much. Seriously, folks like you, typing up informative posts such as yours are what make this forum so much more than an internet gathering place for folks sharing a hobby. The focused incite, shared by skilled craftsmen are top notch. I'm hanging onto every word. Gushing over...haha. Thanks again.
Morgan
PS: best of luck with the table!
David,
I'm impressed by the originality of the design which is complimented by the simplicity of form. Designing something unique, and then figuring out how to actually make it is often times a challenge, both frustrating and rewarding. It's kind of "function follows form," a reverse of the Bauhaus approach. There have been occasions over the years where I have designed a piece, only to discover that I cannot actually make it as originally conceived, almost like building something from an M.C. Escher drawing.
I am interested in the software that you use for design. I am especially curious about the software that you use for the photorealistic rendering. I've done a little of that, and used trial versions of several packages with varying degrees of success. Some are complicated to the extent that I am unwilling to put in the time to learn to use them well.
Finally, is this a commission, for your personal collection, or are you marketing it? If the latter, where would you put such a piece for sale?
Sorry if these seem like a lot of nosy questions, but large projects that are so unique and time consuming to design and build really fascinate me. Ernie M.'s harpsichords are another example of projects that are on a scale that fall into this category.
Thanks for sharing this with us, and I will be looking forward to reports on the project's evolution and completion.
Matt