http://www.ncwoodworker.net/pp/showgallery.php?cat=1649&ppuser=933
Here's the album for the pics from the carving class (link above)
The class focused on carving the shell and getting the techniques down that would be needed to carve the shell. That process (very briefly) is:
L8r - thanks for looking. (if there's a better way to include the album in the post, someone clue me in!)
CR
View image in gallery
Here's the album for the pics from the carving class (link above)
The class focused on carving the shell and getting the techniques down that would be needed to carve the shell. That process (
- Transfer the pattern onto the shell & transfer lines from the piece to the backer board.
- Clean up the bottom where the shell connects to the top of the frame, so the transition is seamless. (V-tool and shallow gouge (#3-20mm ish)
- Rough out the outer third of the shell to a gentle sloping curve, starting about 2.5 inches from the outer edge & terminating about a quarter inch from the bottom outside edge. (#9-16 gouge or similar; smooth facets with #3)
- Create a boundary between the medallion and shell (#9-6) and redraw any lines carved away.
- Using the V-tool, create boundary grooves that separate the sunken and raised shell segments. A segment whose outer edge curves inward will be sunken; curved outward is raised. The tool should ride the inside edge of the raised segments creating a vertical wall for the sunken segment.
- Round over the raised segments of the shell, using whatever works (backbent #4-12, regular gouge use upside down, etc)
- Rough out the sunken segments using gouges whose profile will create a 'dished' profile (think we were using #8-20mm for the outer areas). The profile should be consistent throughout the segment, from narrow to wide.
- Carve the medallion, with the petals overlapping as they move from the center (stylistic decision)
- Finish accordingly
L8r - thanks for looking. (if there's a better way to include the album in the post, someone clue me in!)
CR