http://www.ncwoodworker.net/forums/g...-assembly.html
Sound sample #2
CCR is on the left the bass is on the right, use your balance to hear the bass better. This is also raw input, no floor toys, the cable is hooked directly from the bass to the microphone jack of the computer.
Middle pickup is off, neck pickup tone pot set to about 3/4 open, neck volume pot is about 1/2 way open and the bridge pickup tone pot is barely open, the bridge volume is about 1/2 way open.
I attempted to duplicate the vintage P-Bass tone with the exception that Stu Cook is playing a fretted P-Bass with round wound strings and I'm on a fretless with flat wound strings. I tried to keep the Mah...Wah to a minimum by playing supper soft over the middle pickup, but it's just the nature of the fretless beast some Maaa...wha did escape, not much sense in trying to fight it.
Sound sample #2
CCR is on the left the bass is on the right, use your balance to hear the bass better. This is also raw input, no floor toys, the cable is hooked directly from the bass to the microphone jack of the computer.
Middle pickup is off, neck pickup tone pot set to about 3/4 open, neck volume pot is about 1/2 way open and the bridge pickup tone pot is barely open, the bridge volume is about 1/2 way open.
I attempted to duplicate the vintage P-Bass tone with the exception that Stu Cook is playing a fretted P-Bass with round wound strings and I'm on a fretless with flat wound strings. I tried to keep the Mah...Wah to a minimum by playing supper soft over the middle pickup, but it's just the nature of the fretless beast some Maaa...wha did escape, not much sense in trying to fight it.
